About the products

The Coming Home Collection Part I:

Woven Ties



The Coming Home Collection was an ode to part founder Amy (Akudo) Iheakanwa’s return to Nigeria and her attempt to explore this rich, diverse and complex culture that she still had so much to learn about. The collection explores Aso Oke weave as its main base material based on its durability, beauty and opportunity for colour experimentation. The significance of the Aso Oke cloth to Nigerians, particularly the Yoruba tribe was also a predominant factor for its use in this collection, particularly the fact that it possessed historically royal ties and the desire for the Shekudo woman to recognise the significance of the cloth while wearing her Shekudo piece.


Aso Oke (pronounced Ah-sho-kay) is the traditional wear of the Yoruba’s (the tribe of the south West people in Nigeria) worn on special occasions by the Yoruba’s usually for chieftaincy,  festivals, engagements, naming ceremonies and other important events. Aso Oke weaving - which has been around for over 600 years, is created over an intricate multi step process on a narrow strip loom and mostly woven by Yoruba men weavers.  



The weaves in this collection draw inspiration from the 600 year old Aso Oke process while incorporating elements of Lagos and its surrounds. The continual flurry of colours that met Akudo on her return to Nigeria, from the woman selling ground nut in Lagos Island wearing her baby pink “Love Me” T-shirt and Ankara skirt, to the  dilapidated forest green stair case in Ebute Metta have all made their way into the weave patterns.

Each weave pattern is individually designed in house.



Our silver is 925 sterling silver sourced from Northern Nigeria and put  together in Lagos Nigeria with minimal machinery.

The designs for this collection are based on the many organic shapes often presenting in the local environment or common motifs that were and still are significant to Nigerian culture.

For example, the Adaku, Ikpu and Zirachi earrings were created with Nsibidi (or Nsibiri) in mind, a system of symbols indigenous to what is now southeastern Nigeria dating back to approximately 2000 BCE. Nsibidi was often used on wall designs, calabashes, swords, and tattoos although aspects of colonisation such as Western education and Christian doctrine drastically reduced the number of Nsibidi-literate people.

The power possessed by Women was also a major factor in the earring design process. From the physical female form and the possession of Goddess qualities - based on traditional Nigerian beliefs systems, to the exploration of ideas about what it means to be a Woman.